Once again, a very valuable feature for Guitar Rig Pro power users. Finally, containers offer many options and are easily editable. Also notice the possibility to create macros and to control several parameters using a single virtual control. You can choose the parameters and create your own effects! This can be very important when you use Guitar Rig live since the graphic interface can turn somewhat complex and the last thing you want when you are stressed out on stage is to make silly and unintentional errors. What’s Up, Doc?Įven if they have no effect in terms of sound, the containers are still very convenient because they allow you to group several modules to use them as if you had a single module. On the other hand, you get less microphone models than in the standard Control Room version (which is still available separately), but all available models (Royer and Beyer ribbon mics, Shure SM57, Neumann U87 and Sennheiser MD421) are classic mics for guitar recording… Don’t be too picky! We really enjoyed this new Control Room version because it brings a lot of value to Guitar Rig. While version 4 made a giant step forward in terms of sound authenticity, version 5 is much more versatile and provides for far more experiences. You also get Room and Phase settings, which are very valuable add-ons. The possibilities are thus multiplied and you can even combine up to eight different speakers captured by different mics in the position of your choice. The results are in line with our expectations: 29 speaker cabinets (previously it had only seven), five microphones and three positions (axis, off-axis and in between). Native Instruments heard our prayer and joined forces with RedWirez, a company that specializes in creating and selling guitar speaker convolution files. When we reviewed Guitar Rig 4 we really liked the sound of Control Room, but it wasn’t versatile enough. In high-gain mode, the Hot Solo+ is very convincing regardless of the guitar (Les Paul, Ibanez RG or ESP).Ĭheck out the sound samples and make your own opinion: You’ll notice that the second one is more hollow. With the Telecaster and the Les Paul in crunch mode the sound difference between the speaker cabinets is obvious. The sound is deeper and definitely useful, even if we might prefer some other amps available in Guitar Rig Pro. With the 335 and the Telecaster in clean mode, the amp gives better results than the Van 51. We recorded the same takes with the same settings but changing the cabinet so that you can hear the differences. We recommend you to combine both cabinets for your guitar recordings because they complement each other very well, allowing you to fatten your sound. The good news is that the Hot Solo+ is available with two very different speaker cabinets. This high-quality boutique amp is eagerly waiting for your high-speed solos! It provides two channels (Normal and Overdrive) with independent gain settings, 3-band EQ, Master, Presence (high mids) and Depth (low frequencies) controls. Based on the Soldano SLO (Super Lead Overdrive) 100, which is not an amp for dance balls but is considered the ultimate amp by many guitar players. This is a nice surprise that enriches the software’s already comprehensive amp collection. In short, the Van 51 isn’t limited to heavy metal guitars with high-output pickups. The Rhythm channel sounds very heavy, but the sound is nice! With a Telecaster you can hear the twang of the instrument, which is a good point. With our Les Paul the difference between the two channels is pretty evident. The addition of this amp is good news because Guitar Rig was quite convincing with clean and crunch sounds, but distortion was not at the same level. Moreover, both guitars sounded different, meaning that the software stays faithful to the instrument, which is often not the case with amp simulations. The tone is accurate but not too artificial. With an ESP or an Ibanez in the lead channel, the amp was much more convincing. Even if the amp wasn’t conceived with clean sounds in mind, we tried it out with a 335 and a Telecaster, and the results are quite ok even if not jaw-dropping. The rhythm channel features two switches: Bright and Crunch, while both channels share a 3-band EQ, a Post Gain control (master volume), a Resonance control (low frequencies), a Presence control (high mids) and a Hi-Gain switch. This amp, appropriately named “Van 51,” has two channels. Van Halen, famous for his high-gain sound, palm muting and tapping, and his drop-D tuning. The first one is an emulation of the famous Peavey 5150, the amp of Mr. One thing must be clear: if you don’t like distortion, the two new simulations aren’t for you.
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