In addition to the Red 2 and Red 3 Plug-in Suite, the interface includes the Softube Time and Tone Pack. The software is a free download for new and current owners of the Saffire PRO 26. The plug-ins allow for conveniently exploring the sound of the hardware originals from within Pro Tools (10 and above), along with other audio software. The Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. To help you get started recording, Focusrite has included a downloadable software bundle with DAW, plug-ins, and virtual instruments. An optional FireWire to Thunderbolt adapter allows for Thunderbolt connectivity, albeit at FireWire 400 speed. The Saffire Pro 26 is portable and can be bus-powered via FireWire, making it an ideal mobile recording rig. The interface features a FireWire 400 port and includes a FireWire 400 to 800 adapter cable. It is capable of capturing audio in up to 24-bit/96 kHz resolution and features 4 Focusrite preamps with selectable 48-volt phantom power on its rear panel.Īdditionally, the Saffire PRO 26 has 2 rear-panel 1/4″ line inputs, 2 front-panel instrument/line inputs, and ADAT optical and S/PDIF digital I/O connectivity options. I actually do something similar with the Sooper Looper plugin - keep it in its own aux channel.The Saffire PRO 26 from Focusrite is an 18-in/8-out Thunderbolt-ready FireWire 400 audio interface. I had a crazy delay droning on while the send was muted. I didn't map the onscreen controls to a MIDI footswitch because I don't have one. It sounds kind of hard but it takes about a minute. And then the onscreen knob to an expression pedal. Then, if they are functioning okay, you can map the onscreen button to a button on your footswitch with the Map Parameter button. You can make sure the button and knob work on screen with your mouse or pad. Then highlight the knob and mouse over to Bus 1 Level and choose that. Then go to the Edit tab, make sure the yellow button is highlighted and choose Guitar (1) on the Screen Control Inspector at the bottom. Go to the Layout tab and add one round knob and one regular button. Probably safe to keep the fader high on this channel. Put your delay and reverb fx in this new aux channel strip. Here's a little walkthrough, just in case you or anybody needs it.įirst, create Bus 1 on your main Guitar channel strip. I'm now focusing more of my time to integrating midi control from iOS devices - I can get some good textures based on some app generated scripts and triggers.Ĭlick to expand.Yeah, I tried it after I said it and it works fine. It was fun, I may come back to it if I were to craft a new project that used it convincingly. I never found any guitar-oriented effects that I liked enough to use it as my sole effect processors, but then I was also using mostly free stuff I found on the net. I also sampled some parts on the fly for mangled playback. No issues with signal impedences or anything like that luckily.įor the most part, I used reverb, delay, vocoder and glitch VSTs. I was also able to avoid any latency (biggest issue in some ways). The X-Blender sent the signal out to my interface and received the return, and the EQ and level control helped me set gain staging properly. In order to not muck up my dry and overdriven sounds, I used an X-Blender to mix the wet and dry together (mostly running any VST in an all-wet way). I did this for a while, using Ableton Live as my VST host. How can I: 1) Use plugins without any effect on tone with or without the plugins? 2) Use my plugins BEFORE my M9 so I can loop the ambient verbs when needed? (While typing my thoughts I figure I could get a Lehle Looper switch and just engage a loop that adds the computer.but it would still be nice to add overdrives with my dsp verbs sometimes too without the odd effect on tone.) The input on the interface gets driven harder and it doesn't hit my amp quite the same.not as sounds just "off". The problem: When I run MainStage after my pedal rig my tones change a bit, especially when I use my overdrive pedals. I have a Focusrite Saffire Pro 40 interface as well that I run through with barely noticeable latency with a powerful MacBook. I won a SoftStep midi controller that works well to control MainStage, which in turn lets me use any plugin I need. Ok, as an effort to spend less on hardware and utilize some of the fantastic plugins I already own (thinking mostly reverb, delay, and maybe compression), how do I incorporate those in my pedal rig effectively?
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